Kate Kennington Seer shares this meditation on how chronic illness mediates her contact with a single place, often dictating how - the means and the form - she makes a photograph, until, on some days it becomes the subject of photographic enquiry no matter what the situation.  This portfolio is an attempt to render some of this visible.

Pregnancy is a direct embodiment of the question — where does one body end and another begin? In this portfolio, Eliza Bell embarks on a deep exploration of the known and unknown alongside the pregnant people she photographs.

In this series of photographs, Rosie Villano investigates the question: what does it mean to embody a relationship to the earth? For them, that means learning about the land they live on, knowing the food they eat, and appreciating the bounty. These photographs are an expression of their love and reverence for the land.

Frances Bukovsky began photographing Upheaval while seaching for a home, both within their own body, as well as the world around them. Set in Appalachia between their hometown and their chosen home, Upheaval revisits childhood memories and forges new connections between body and geography to assemble a sense of self informed by cycles of grief and upheaved circumstances.

Looking for a way to explore depression without making clichéd images, Ruth Steinberg chose the cyanotype process for its interpretive possibilities, which allowed for the multi-layering of self-portraits and plant material to evoke, rather than tell, her story.

In this ongoing series, Leah Mowers explore vulnerability, both hers and that of the natural world, by listening to and responding to the landscape rather than dominating it. Leah inhabit its form by molding her body into the terrain, emphasizing coexistence over control. This work invites viewers to reflect on their own relationship with the natural world.